The horn had an incredibly rich evolution over two centuries, from the hunting field to the concert hall. With differences of size, mechanic, technique, sound aesthetic from a country to another and throughout time, the horn has many faces and playing a piece on the corresponding instrument makes a great difference in interpretation and style. Like an actor switching masks and identities when switching roles, it is such a joy to go from one horn – one soul – to another and experience the difference through music.
Baroque horn by Zoltan Juhasz, 2021
Viennese natural horn by A. Kerner, 1760 – Replica by Seraphinoff, 2020
Anonymous natural horn from central Europe, c.1800 ?
Anonymous natural horn, beginning of the XIXth century ?
French natural horn by Courtois Neveu Aîné, c.1810
French natural horn by Halari, c.1820
French natural horn (cor basse) by Kretschman, c.1830
French natural horn (cor basse) by Piatet & Benoît, c.1840
French natural horn by Halari, c.1840
French natural horn by Gautrot, c. 1860
French horn with two pistons by Besson, c.1860
Anonymous French natural horn, c.1880
Vienna horn with double pistons by A. Dehmal, c.1890
Vienna horn with rotary valves by A. Dehmal, c.1890
French horn with detachable three-piston set by Millereau and Selmer, c.1900
French compensated double horn F/Bb by Selmer, model Vuillermoz, c.1935
German horn in F with rotary valves by Kley, c.1910
German single B-flat horn mod.97 with stopping valve and F extension by Alexander, c.1935
American double horn F/Bb by Holton (mod. Tuckwell), c.1990